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Through the centuries, women have used textiles to express their ideas and political opinions, creating items of utility that also function as works of art. Beginning with medieval European embroideries and tapestries such as the Bayeux Tapestry, this book includes works from the United States, Canada, Latin America, Asia, the Middle and Near East, and Central Asia. It examines the ways in which women around the world have recorded the impact of war on their lives using traditional fabric art forms of knitting, sewing, quilting, embroidery, weaving, basketry and rug making. The works are analy

Textile crafts. --- Textile design --- War in art. --- Art and war. --- Women and war. --- Themes, motives.

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Presentations of war and violence in museums generally oscillate between the fascination of terror and its instruments and the didactic urge to explain violence and, by analysing it, make it easier to handle and prevent. The museums concerned also have to face up to these basic issues about the social and institutional handling of war and violence. Does war really belong in museums? And if it does, what objectives and means are involved? Can museums avoid trivializing and aestheticising war, transforming violence, injury, death and trauma into tourist sights? What images of shock or identification does one generate - and what images would be desirable? »Ein instruktiver Band.« Christian Demand, Merkur, 68/7 (2014) Reviewed in: H-Soz-u-Kult, 10.10.2013, Christian Hirte Mitteilungen, 46/2 (2013)

Violence in art --- War in art --- Conflict. --- Cultural History. --- Exhibition. --- Memory Culture. --- Museology. --- Violence. --- War. --- Museum; War; Conflict; Exhibition; Violence; Cultural History; Museology; Memory Culture

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A travers plus de 550 oeuvres, ce livre d'art et d'histoire montre comment les artistes ont contribué au désenchantement de la guerre, des campagnes napoléoniennes aux conflits les plus contemporains. Alors que l'art était depuis toujours dominé par la bataille héroïque, les artistes représentent désormais la guerre sous toutes ses faces, y compris dans ses conséquences les plus atroces sur les humains, les animaux, la nature, les villes, les choses. Témoins ou non, hantés par les traces à fournir de ces orages humains, ils modifient en permanence leur technique et leur politique de représentation afin de rendre visible le chaos engendré.

wars --- battlefields --- suffering --- Polemology --- Art --- anno 1800-1999 --- anno 2000-2099 --- oorlogen --- briefwisseling --- waanzin --- 1800 - 2014 --- 19de eeuw --- 20ste eeuw --- 21ste eeuw --- War in art --- Battles in art --- kunst --- eenentwintigste eeuw --- twintigste eeuw --- negentiende eeuw --- 7.03 --- 7.035/036 --- 7.044 --- kunst en politiek --- oorlog --- film --- fotografie --- tekenkunst --- installaties --- beeldhouwkunst --- schilderkunst --- iconologie --- iconografie --- Exhibitions --- emotionele ziektes, waanzin, krankzinnigheid --- War in art - Exhibitions --- Battles in art - Exhibitions --- 1800 - 2014. --- 19de eeuw. --- 20ste eeuw. --- 21ste eeuw. --- oorlogstrauma (kunst)

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War in art --- World War, 1914-1918 --- Drawing, French --- 7.044 --- 940.3 --- 76 <44> --- Iconografie: geschiedkundige voorstellingen; staatshandelingen; veldslagen --- Geschiedenis van Europa: Eerste Wereldoorlog--(1914-1919) (algemeen) --- Grafische kunsten. Grafiek. Prentkunst--Frankrijk --- Exhibitions --- 76 <44> Grafische kunsten. Grafiek. Prentkunst--Frankrijk --- 940.3 Geschiedenis van Europa: Eerste Wereldoorlog--(1914-1919) (algemeen) --- 7.044 Iconografie: geschiedkundige voorstellingen; staatshandelingen; veldslagen